Wednesday, December 29, 2021

Vows of Deception (1996)

Cheryl Ladd goes a bit over the top as a "spider woman" in this interesting made-for-TV crime drama...

 

Saturday, December 25, 2021

Saint-Saëns: Symphony No. 3 in C minor, Op. 78 | Järvi

Together with César Franck's D-minor Symphony, Saint-Saëns' Third Symphony (so-called "Organ Symphony" ) is one of the masterpieces of late romantic French music. It is written in cyclic form in a manner reminiscent of Beethoven's "Fifth" (for example, the theme of the Scherzo is rhythmically related in a very clear way to the basic theme of the first movement). The orchestration contains piano (both two and four hands) and pipe organ.

1. Adagio - Allegro moderato - Poco adagio

2. Allegro moderato - Presto - Maestoso - Allegro

Thierry Escaich, organ

Orchestre de Paris

Paavo Järvi, conductor

Tuesday, December 21, 2021

A Streetcar Named Desire (TV film, 1995)

A made-for-TV film adaptation of Tennessee Williams' 1947 play. Starring Alec Baldwin, Jessica Lange, John Goodman and Diane Lane.

 

Sunday, November 28, 2021

Edvard Grieg: Symphony in C minor

I. Allegro molto
II. Adagio espressivo
III. Intermezzo: Allegro energico
IV. Finale: Allegro molto vivace

 

Friday, November 19, 2021

R. Wagner: "Wesendonck-Lieder" | Daphne Evangelatos, mezzo-soprano

The Greek opera singer Daphne Evangelatos (b. 1946) died November 18, 2021, in Munich. Her father was the composer and conductor Antiochus Evangelatos.

Tuesday, November 16, 2021

Elgar: Symphony No. 2 | Harding

Edward Elgar,
Symphony No. 2 in E flat major, Op. 63

1 Allegro vivace e nobilmente
2 Larghetto
3 Rondo
4 Moderato e maestoso

London Symphony Orchestra
Daniel Harding, conductor

London, Proms 2013

Wednesday, October 13, 2021

Bruckner: Symphony No. 1 | Paavo Järvi

I. Allegro
II. Adagio - Andante - Tempo I
III. Scherzo. Schnell - Trio. Langsamer - Scherzo - Coda
IV. Finale. Bewegt, feurig

Thursday, October 7, 2021

Bruckner: Symphony No. 8 in C minor (Ed. Nowak,1890, 2nd ver.) | Singapore Symphony Orchestra | Lan Shui

I. Allegro moderato
II. Scherzo (allegro moderato) and Trio (langsam)
III. Adagio (feierlich langsam, doch nicht schleppend)
IV. Finale (feierlich, nicht schnell)

Friday, September 10, 2021

Hitler's SS: Portrait in Evil (1985, TV)

Despite some historical inaccuracies (notably, the details of Heydrich's assassination), this is a very watchable TV movie about the Nazi period and Hitler's SS.

 

Friday, September 3, 2021

Thursday, September 2, 2021

Mikis Theodorakis: Rhapsody for Cello and Orchestra

1. Euterpe
2. Erato
3. Melpomene
4. Calliope
5. Clio
6. Uranie
7. Terpsichore
8. Polymnie
9. Thalie

Saturday, August 28, 2021

Rena Kyriakou: Concerto for piano and orchestra, op.18 - Athens Philharmonia Orchestra

I. Allegro – Più mosso – Tempo I – Calmo – Presto – Tempo I
II. Andante
III. Vivace – Allegro maestoso – Presto

 

Bruckner: Symphony No.9 in D major | Bernard Haitink / Orchestre national de France

Typically speaking, Anton Bruckner's 9th Symphony in 3 movements is an "unfinished" work, given that the composer didn't live long enough to complete the 4th movement. However, by listening to the symphony one is not left with any sense of incompleteness! Indeed, the Adagio, as a final movement, is by no means less conclusive than, say, the closing Adagio in Mahler's own 9th...

I. Feierlich, misterioso
II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo
III. Adagio. Langsam, feierlich

Wednesday, July 28, 2021

Mahler: Symphony No. 2 in C Minor, "Resurrection" | BYU Philharmonic - Kory Katseanes

One of my favorite Mahler symphonies, played by the Brigham Young University Philharmonic. Perhaps a very personal choice of interpretation, given that BYU was the school where I studied (and taught)...

 

Friday, July 2, 2021

Mozart: Piano Concertos No. 20 - 27 | Lili Kraus

Piano: Lili Kraus
Vienna Festival Orchestra
Conductor: Stephen Simon

Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00)
Piano Concerto No.20 in D minor, K.466 II. Romance (13:34)
Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31)

Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28)
Piano Concerto No.21 in C major, K.467 II. Andante (44:27)
Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39)

Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47)
Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53)
Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30)

Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20)
Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57)
Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30)

Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27)
Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24)
Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23)

Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47)
Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38)
Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48)

Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10)
Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18)
Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06)

Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00)
Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29)
Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17)

 

Friday, February 5, 2021

Mieczysław Weinberg: Symphony No.2 for Strings

Kremerata Baltica conducted by Mirga Gražinytė-Tyla 

 I - Allegro moderato 
II - Adagio 
III - Allegretto

 

Sunday, January 17, 2021

Tchaikovsky: Symphony No.6 in B minor, Op.74 ("Pathetique")

The Symphony No.6 ("Pathetique") was Tchaikovsky's "swan song" in which the composer possibly foretelled his alleged suicide.

The sonata form in the first movement is of some interest. After the exposition of the two themes (the first sombre while the second nostalgically lyrical) follows the development section with an exhaustive elaboration of the first theme but a total absence of the second. The second theme is heard again at the end of the first movement, though not as a standard recapitulation but as a coda.

In the second movement it is worth noticing an intermediate episode whose mood foreshadows the dark atmosphere of the finale of the symphony and gives a sense of cyclic form to the overall work.

Orchestre National du Capitole de Toulouse
Tugan Sokhiev, conductor