Tuesday, March 3, 2015

Francis Poulenc: Concerto for two pianos and orchestra

Francis Poulenc: Concerto in d minor for Two Pianos and Orchestra
Pianos: Rolf-Peter Wille, Lina Yeh
Conductor: Alexander Rudin
Taipei Philharmonic Orchestra


Tuesday, February 24, 2015

A Piano Sonata...

An old "sin"... Composed in Provo, Utah, October 1983. Nobody has managed to play it yet!


Saturday, February 21, 2015

Robert Gutman's "Wagner"


It seems Robert Gutman did a great job in discrediting and "demonizing" Richard Wagner's character. Now it is time for the truth!

"In 1968 Robert Gutman published a popular book about Wagner (Richard Wagner: the Man, his Mind and his Music) in which he portrayed his subject as a racist, psychopathic, proto-Nazi monster. Despite the reservations expressed by reviewers about the quality of Gutman's scholarship, this book has been a best-seller; especially in the USA, where an entire generation of students has been encouraged to accept Gutman's caricature of Richard Wagner. Even intelligent people, who have either never read Wagner's writings or tried to penetrate them and failed -- the situation is not made any more favourable to Wagner in the English-speaking world by the scarcity of good translations -- have read Gutman's book and accepted his opinions as facts. Since Gutman's book was a seminal contribution to the ill-tempered debate about Wagner's alleged racism, the relevant sections of the book will be considered at length in this article."



"Wagner had a lot of Jewish friends and colleagues, including his favorite conductor Hermann Levi; one of his arrangers, Joseph Rubinstein; pianist Carl Tausig; writer and choirmaster Heinrich Porges; his public relations man Herr Neumann; and French writer Judith Gautier, with whom he had what might be called a long-distance love affair. Wagner said in his autobiography one of the most beautiful friendships of his life was with Samuel Lehrs, a Jew. He had a deep appreciation for Jewish composers, such as Mendelssohn. He was asked several times but always refused to sign any public declarations against the Jews."

Saturday, January 3, 2015

Wednesday, December 17, 2014

Henryk Górecki: Symphony No. 3 ("of Sorrowful Songs")

Henryk Gorecki
Symphony No.3, Op.36
(Symphony of Sorrowful Songs)

Zofia Kilanowicz, soprano
Polish National Radio Symphony Orchestra
Antoni Wit


Richard Wagner: Symphony in C Major

(No information available)

1. Sostenuto e maestoso - Allegro con brio
2. Andante ma non troppo, un poco maestoso
3. Allegro assai
4. Allegro molto e vivace

Note: The YouTube user Michael Canales wrote an interesting comment on this Symphony:

Proof that Wagner was a great composer at a very young age, who just kept getting better and better as time went on. BTW for those making a big deal out of Wagner's article "Judaism in Music" it should be kept in this context. When Wagner sent this score to Mendelssohn it was carelessly ignored by the latter and the full original score is lost forever. The parts themselves were discovered late in Wagner's life and the world premiere was Christmas 1882 conducted by the composer, his very last effort on the podium. He was pissed off at Mendelssohn for losing the score and never forgave him. Hence the ugly comments about Mendelssohn in that article.The jabs at Meyerbeer are much easier to explain. Meyerbeer was basically the Andrew Lloyd Webber of the 19th century and controlled the entire Parisian operatic scene. His idea of "helping" the young Wagner, the youthful genius who wrote this work, was to get him jobs as a hack copyist and arranger for composers we now have forgotten. Later Meyerbeer did actually help Wagner by recommending Rienzi to the theater in Dresden, far away from Paris of course, where the young genius would not be a threat to Meyerbeer and the Parisian establishment. Meyerbeer also played a sinister hand in the "Jockey Club" protests against Tannhauser in the Paris production of 1861. Meyerbeer's reputation has been sanitized by the horrors of WWII just as Wagner's has been stained, but the truth is that Meyerbeer kept Wagner down in Paris, and Wagner never forgave him for it. Hence, yet again the insults in the article. There is more to that article than just crude antisemitism.